1635
Etching on laid paper
1638
Etching on laid paper
1641
Etching, reworked with a cold needle, on laid paper
Circa 1641
Etching on laid paper
1654
Etching, reworked with a cold needle, on laid paper
Circa 1629
Etching on laid paper with watermark "Arms of Ravensburg" (Hinterding variant A-b or A-c)
Circa 1630
Etching, engraving and drypoint on laid paper
1630
Etching on laid paper
1633
Etching on laid paper with watermark "Foolscap with Five-Pointed Collar" (cf. Hinterding, variant K. c.)
1630
Etching on laid paper
1630
Etching and drypoint on laid paper
Circa 1631
Etching and engraving on laid paper
1634
Etching, slightly reworked with drypoint, on laid paper
1635
Etching on laid paper
1635
Etching, reworked with burin and drypoint, on laid paper with parts of the watermark "Strasbourg Lily", very similar to Hinterding, vol. III, pp. 388, 389 and 390, there all dated "ca. 1631 bis 1634"
1640
Etching, reworked with drypoint, on firm laid paper
Circa 1631
Etching on laid paper
1641
Etching and drypoint on "fake Japanese paper" (as listed in Hinterding/Rutgers for other copies)
1641
Etching, slightly reworked with drypoint, on laid paper
1642
Etching on laid paper with watermark "Foolscap with Five-Pointed Collar" (Hinterding variant A.a)
Circa 1644
Etching on laid paper
1645
Etching and drypoint on laid paper
1652
Drypoint on laid paper with watermark "Arms of Amsterdam " (cf. Hinterding variants A and F.F.a)
Circa 1645
Etching and drypoint on thin China paper
1647
Etching, burin and drypoint on laid paper
1648
Etching, reworked with drypoint, on laid paper
1648
Etching on laid paper
1648
Etching and drypoint on laid paper
1650
Etching, engraving and drypoint on laid paper, possibly with parts of the watermark "Foolscap with Five-Pointed Collar", Hinterding watermark (vol. II, p. 288 and vol. III, p. 224)
1651
Etching, reworked with drypoint, on laid paper with watermark "Pascal Lamb" (cf. Hinterding, variants A and F.A.a)
1648
Etching with drypoint on laid paper, without watermark
1651
Etching, reworked with drypoint on laid paper
Circa 1652
Etching on laid paper
1653
Drypoint on laid paper without watermark
1654
Copper plate
1654
Etching, engraving and drypoint on laid paper with watermark "Seven Provinces" (Hinterding, variant C-a-a)
1654
Etching on laid paper with watermark "Foolscap with Seven-Pointed Collar" (Hinterding variant K-a-c)
Circa 1654
Etching, engraving and drypoint on laid paper with watermark "Double-Headed Eagle" and initials "GB", Hinterding watermark p. 186, as desired for early prints of this sheet
1655
Drypoint on laid paper
Circa 1651
Etching, lightly reworked with drypoint on laid paper
1656
Etching on laid paper with watermark "Foolscap with Seven-Pointed Collar", similar to Ash and Fletcher 1998, no. 20 D.b., there recorded on other prints from 1654 onwards
1657
Etching and drypoint on Japanese Gampi paper
1657
Etching, reworked with drypoint, on laid paper with watermark "Seven Provinces"
Circa 1657
Etching on laid paper with watermark countermark "IV"
1656
Etching and drypoint on laid paper
1659
Etching, engraving and drypoint on laid paper